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Mariah Yonique Strawder

Mariah Yonique Strawder

CommentaryNewsU.S.

Recounting the Flames: A Year Since the Los Angeles County Wildfires

by Mariah Yonique Strawder 01/15/2026
written by Mariah Yonique Strawder

On January 7th, 2025, wildfires broke out across Los Angeles County, devastating the Altadena, Pasadena, and Pacific Palisades areas. On social media, I saw “Pray for California” spread rapidly. My timeline was full of videos of people who were evacuating their homes, salvaging what they could, and families sobbing as they watched their homes be engulfed in flames and fall to ashes.

The Palisades Fire in Pacific Palisades started around 10:30 a.m. on January 7th. The Eaton Fire in Altadena began on the same date later in the evening around 6:00 p.m. The Palisades fire covered over 23,448 acres while the Eaton fire covered 14,021 acres. A rough estimate of 100,000 people were forced to evacuate, 16,000 structures were destroyed, the number of lives lost is up to an estimate of 31, and fires were active for about 24 days. According to the National Oceanic and Atmospheric Administration’s February 2025 report, the Los Angeles January 2025 wildfires were the result of climate change, a record-level dry fall season in 2024, and Santa Ana winds from a near-hurricane event. With the help of firefighters from around California, Mexico, and Canada as well as incarcerated youth and adults from Los Angeles County jails and prisons, the fires were announced to be contained on January 31st. 

I asked Eloheem Mahone, Altadena Native, 2nd year UCLA Student, and member of Kappa Alpha Psi Fraternity, Incorporated, Upsilon Chapter, about his and his family’s experience with the Eaton Fire, and what rebuilding has been like.

“My family’s roots in Altadena go way back,” Mahone says. His father is from Los Angeles and his mother is from Long Beach. His dad moved to Altadena while in high school. Later on, his parents would buy their own home in the area and begin building their family. 

When the Eaton Fires broke out, Mahone was at UCLA, in his dorm, lying in bed, waking up from a nap. “I had missed more calls than I had ever seen before. My phone was flooded with messages from people asking if my house was okay or saying sorry. My heart dropped to my stomach as I read messages from my family members who were in our home as it burned down. My first reaction was to go home. My college friends and I went to Altadena to help fight the fire. We couldn’t lose both of the homes my family grew up in. My next-door neighbor was a retired firefighter and did everything in his power to help our neighborhood. He told us that our house was one of the first in the neighborhood to catch fire, and by the time he had retrieved all his equipment, it was too late.”

When asked about the aftermath of the Eaton Fires, Mahone says: “Rebuilding has been rough. My family currently stays in a trailer in my grandparents’ backyard. I give a lot of credit to my mom, dad, and sister. They spent a lot of time doing research and outreach to survive as our resources were so limited. Then and now, my sister works nonstop trying to find resources for sustainable and affordable living.” Mahone also highlighted the work of his friend and UCLA Alum, Fayola Obasi, who used her sorority, Delta Sigma Theta Sorority, Incorporated, Pi Chapter, to start a GoFundMe, raising over $30,000, to support his family. A year later, Mahone says that he is lucky. After putting the tragedy into perspective, he remains grateful for his support system and most importantly, his family still being here. 

In tracking the 2025 LA fire recovery efforts, FEMA has helped about 35,093 people and distributed about $163.4 million in aid. Angelenos have also been vocal in critiquing Los Angeles Mayor Karen Bass’s efforts in the Palisades fire recovery. LA Times writes that since the fires the mayor “Bass has been announcing recovery strategies with great fanfare, only for them to get bogged down in the details or abandoned altogether.” This has left many Angelenos feeling unconfident in the Mayor’s leadership.

It is also important to highlight that the Los Angeles fires affected two distinct communities. The Palisades Fires set the Pacific Palisades ablaze, home to business executives and Hollywood movie stars. The Eaton Fires ravaged the east side communities of Pasadena and Sierra Madre, reducing much of the Altadena community to ash. Altadena, a diverse middle-class neighborhood known for being a Black enclave since the 1950s, is home to many Black legends such as athlete Jackie Robinson, writer Octavia E. Butler, actor Sidney Poitier, and activist Seaborn B. Carr. 

In October 2025, I visited California’s African American Museum in Exposition Park. I got to experience Ode to Dena: Black Artistic Legacies of Altadena, an exhibit that traces Altadena’s artistic history in light of the Eaton Fires. This CAAM exhibit is curated by Dominique Clayton, independent curator and founder of Dominique Gallery, in collaboration with Larry Earl, Kenturah Davis, Arianne Edmonds, Dylan Joner, and V. Joy Simmons, MD. The Exhibit highlights the Altadena community over the decades. It features over 20 Black artists who live in or have family ties to the neighborhood. It captures treasured moments like birthday celebrations, moments in the kitchen, and family pool time. While the exhibit stems from pain and loss, it is a beautiful reminder of Los Angeles’s cultural history.

In Harvard Kennedy’s School of Public Policy Student Policy Review on Racial Disparity in Disaster Response in the United States, Matt Plaus writes that “natural disasters strike Americans indiscriminately; unfortunately, relief does not reach them the same way”. From Hurricane Katrina in New Orleans, Louisiana (2005), to Flint, Michigan’s decade-long water crisis (which the Environmental Protection Agency’s 2016 emergency order for was lifted in May 2025), and Hurricane Melissa in Jamaica (2025), racial disparities in disaster response have resulted in Black Americans suffering from worse impacts, slower recovery efforts, less aid, and greater health risk. In the aftermath of destruction, Black communities also become increasingly vulnerable to exploitation and displacement. 

As Altadena residents began to recover, A UCLA study done by the UCLA Ralph J. Bunche Center for African American Studies, the UCLA Center for Neighborhood Knowledge and the UCLA Latino Policy and Politics Institute found that “48% of Black households experiencing damage or destruction” faced disporportionate burdens of damage in the aftermath of the Los Angeles fires “compared to 37% for non-Black households”. The study also found that predatory insurance companies targeted families with “57%” of them being Black homeowners from Black Altadena, over the age of 65, and facing barriers to recovery. 

The Los Angeles wildfires were most certainly a chaotic way to start the beginning of 2025. The impacts of the Eaton and Palisades fires were devastating and recovery will take years. Homes, possessions, businesses, families, friends, and pets were lost. The trauma is immeasurable. For Black communities, the loss is one of many. There is still so much work that needs to be done. We as a community must hold our elected officials accountable and continue working together to ensure the victims of the Los Angeles fire regain stability. Going into 2026, let us prioritize electing leaders who are committed to the safety and well-being of Black communities.

01/15/2026 0 comments
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Arts & EntertainmentCommentaryCulture

Modern Day Minstrelsy: Natalie Nunn, Zeus Network, Anti-Blackness, Caricatures

by Mariah Yonique Strawder & Julia Elizabeth Perry 11/25/2025
written by Mariah Yonique Strawder & Julia Elizabeth Perry

“When characters enact stereotypes for the amusement of others.”

Natalie Nunn and Zeus Network have exacerbated conversation and controversy about the line between entertainment and exploitation. 

Nunn is known for her appearances on seasons 4 and 13 of the reality TV show Bad Girls Club (2006-2017), as the executive producer of the Bad Girls Club spin-off, Baddies (2021-present), and for her viral clips and sound bites on TikTok. Zeus Network was founded in 2018 by social media personalities DeStorm Power, Amanda Cerny, King Bach, and television producer Lemuel Plummer (who currently serves as president and CEO). The streaming service produces social media personality-driven reality TV shows featuring creators such as Natalie Nunn, Joseline Hernandez, Tokyo Toni, and Blac Chyna.

When Black students living in the Afrikan diaspora Living Learning Community at UCLA were asked their thoughts on Nunn and Zeus Network, most were inclined to comment on the negative stereotype perpetuated by the network, the influence it has on Black culture, and the implications it has on how the world perceives the Black community within popular media. 

Zeus Network &  Exploitation

“Zeus Network promotes stigmas that surround Black women, men, and transgender people for the sake of entertainment.” Nazyrah Olubuah, first-year English student. In Maia Niguel Hoskin’s article “Black Folks Deserve Better: Lemuel Plummer’s Zeus Network Is Everything That Is Wrong With Portrayals Of Blackness On Television,” Hoskin highlights how CEO Plummer uses his platform to perpetuate stereotypes and inaccurately represent Blackness.

Content/Consumption 

Hoskin’s article also emphasizes the demoralizing images of Black women that run rampant on Zeus Network. In almost every series the show produces, it depicts the women as sexually promiscuous, angry, aggressive, and intellectually inferior. “All they do is eat, drink, fight, smoke, have sex, and fight some more,” exclaimed Nazyrah Olubuah describing the content in many of the shows produced by the Zeus Network. Olubuah highlighted how this type of representation can be detrimental in shaping how individuals view the Black community, as well as how the Black community views itself.

Role models / Influence

Youth are consuming media at an all-time high through internet sites such as Instagram, X, TikTok, Snapchat, Facebook, YouTube and various other social media platforms. Often, the content youth engage with is not filtered to be age-appropriate, resulting in the fast-paced, mass consumption of information that can impact youth negatively. In Nunn’s case, she markets herself in a way that is entertaining and provoking. Through her behavior, she is often at the center of internet trends and/or memes that grow viral enough to reach youth. One of the most recent examples of this is a trend in which people created content lip-syncing and dancing to her song “Pose for Me.” Although the lyrics of this song were somewhat explicit, the trend was so viral that even children participated, most likely without realizing the meaning of the lyrics or Nunn’s fame. We spoke with students about Zeus Network’s representation of the Black community, and asked them how they felt about the content’s influence and its impact on Black youth.

“They’ll think that’s the box they have to fit in. They will feel pressure to conform to the stereotypes demonstrated in Baddies,” said Chidiogo Molokwu, a first-year biology student, emphasizing the potential risk of Black youth consuming the media produced by Natalie Nunn. Not only is the behavior that Nunn demonstrates highly questionable, but it has dangerous implications for the youth who consume it. Nunn’s use of her platform promotes the long-standing, harmful stereotypes that have been imposed on Black people for decades, showing Afrikan-American youth that this is the behavior that is expected of them. The content produced by Zeus Network also teaches the children who consume it that violence, screaming, or cursing is the right way to express emotions and solve conflicts, which can sabotage them in social contexts with their peers, as well as adults.

Jayla Ward, a first-year political science student, discussed Natalie Nunn’s identity as a parent. Ward contrasted Nunn’s identity as a mother with her role as a provocative and problematic media presence. “All kids deserve parents, not all parents deserve kids,” Ward says. Ward added this statement to highlight the hypocrisy of Nunn’s work. Considering that she is raising a Black daughter, should she not consider the implications for how Black women are projected in the media? The same media that her daughter may be consuming?

Accountability

Nunn was born in Concord, California, a middle and upper-middle-class city. She attended Aragon High School in San Mateo, California, a school that was nationally recognized for its academic excellence. Nunn later attended the University of Southern California, playing Division 1 soccer and receiving degrees in sociology and communications with minors in business and Spanish. Nunn is seen on social media flaunting her degrees. We asked students if they believed that Nunn’s educational background has any influence on her work and if she should be held accountable for the negative stereotypes that her work perpetuates. 

“She does it on purpose. Her actions are calculated and manufactured to gain traction and profit off of the stereotypes that she perpetuates,” says Jayla Ward.

Writers’ Opinion + Moving forward

“Blacks are simultaneously underrepresented and overrepresented in American media culture,” claims S. Craig Watkins, an Assistant Professor of Sociology and Radio-Television-Film at the University of Texas at Austin. To contextualize this concept in the setting of the Zeus Network and Baddies, many of the shows within this network have casts that are dominated by Black people or people who have been influenced by elements of Black culture. At a surface level, having a Black-dominated cast would appear to be positive in terms of representation. However, since these Black people are predominantly represented in ways that are not accurate and are harmful, this portrayal aligns more with a consistent underrepresentation of Black people, a diverse and multifaceted population.

If continued, these portrayals are bound to influence generations of students consuming this media, including students at UCLA. The implications range from confining Black youth into stereotypes, teaching youth from other backgrounds that all Black people act ghetto or barbaric.

It is crucial to be intentional about the media we consume and the people that we give platforms to. While Zeus Network and Baddies represent Black people and culture in a way that is destructive, there is plenty of media that shows Afrikan-American culture in positive, authentic, and accurate contexts. Nommo staff have collaborated to compile a non-comprehensive list of shows, movies, books, and content creators by/about Black people to highlight narratives that represent our community ethically and responsibly!

TV SHOWS

  • Abbott Elementary
  • Raising Kanan
  • Black-ish
  • The Fresh Prince of Bel-Air
  • This is Us
  • Atlanta
  • Living Single
  • Insecure
  • Forever

MOVIES

  • Sinners
  • Green Book
  • Hidden Figures
  • Nickel Boys
  • Sing Sing
  • Entergalactic
  • Soul
  • Spider-man: Into the Spider-verse
  • Queen & Slim
  • Blackkklansman
  • If Beale Street Could Talk

BOOKS

  • The Poet X by Elizabeth Acevedo
  • Legendborn by Tracy Deonn
  • The Vanishing Half by Brit Bennett
  • Long After We Are Gone by Terah Shelton Harris
  • Nightcrawling by Leila Mottley
  • The Sun is Also a Star by Nicola Yoon
  • Born a Crime by Trevor Noah
  • The Blood Trials by N.E. Davenport
  • Sister Outsider by Audre Lorde
  • Homegoing by Yaa Gyasi
  • The Bluest Eye by Toni Morrison
  • Their Eyes Were Watching God by Zora Neale Hurston

SOCIAL MEDIA CREATORS

  • @keith_lee125 (TikTok, restaurant reviews)
  • @alexisnikole (TikTok, environmental educational)
  • @wisdm8 (TikTok, fashion)
  • @theconsciouslee (TikTok, politics/news)
  • @danessyauguste (TikTok, lifestyle)
  • @mariahcrose (TikTok, sports)
  • @skylarmarshai (TikTok, art/lifestyle)
  • @dasiadoesit (Instagram, rollerskating/lifestyle)
  • @KevinLangue (YouTube, comedy)
  • @debsmikle (Instagram, lifestyle)
11/25/2025 0 comments
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