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John A. Powell Presents the UCLA Bunche Center’s 25th Thurgood Marshall Lecture

by 04/07/2014
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Screen Shot 2014-04-04 at 8.54.48 AM

Photo courtesy: AdonaStudio

On April 1, the UCLA Bunche Center held its 25th Thurgood Marshall Lecture on Law and Human Rights to honor the first African-American Supreme Court Justice, Thurgood Marshall.

In past years, the annual event featured distinguished figures who had a substantial impact on the struggle for civil rights.  Past speakers include Elaine Brown, the former Chairwoman of the Black Panther Party, and Harry Belafonte, a prominent member of the civil rights movement.

Screen Shot 2014-04-04 at 8.54.57 AM

Photo courtesy: AdonaStudio

john a. powell, a UC Berkeley professor and the Director of the Haas Institute for a Fair and Inclusive Society, delivered the 2014 address. powell is a internationally renowned civil liberties expert who prefers for his name to be written in lowercase letters because he believes in being “part of the universe, not over it, as [capital letters] signify.” He has also greatly shaped race research and policy.

Claudia Mitchell-Kernan, the Vice Chancellor of Graduate Studies at UCLA and co-founder of the lecture series, stressed that despite the momentous gains we have obtained since the passage of the Civil Rights Act, “The dark past is not fully behind us.”

Speaking to an audience of nearly 80 people, powell seconded her assessment as he discussed the current state of race in America. He asked, “How do we make sense of a Black president, but an administration that does not want to talk about race?”

The widespread notion of “color-blindness” has contributed to a lack of discussion on the intersection of disparities and race. According to powell, pressing issues such as homelessness and mass incarceration not only disproportionately affect Afrikan-Americans, but also interfere with the exercise of citizenship rights; however, these concerns rarely garner national attention.

Professor powell also spoke about how the present concept of race stems from the 17th century. Whiteness was defined as “not black” and Blacks were deemed the “infinite other”. Hence, our country was built on the idea of a White benchmark. As the demographics of America shift, this standard is becoming a relic of the past; powell thus characterized the contemporary period of “heightened racial anxiety” as a product of a movement toward increased multiculturalism and diversity.

Screen Shot 2014-04-04 at 8.54.35 AM

Photo courtesy: AdonaStudio

Such angst is causing Whites to vote in terms of race and not self-interest; this is demonstrated through their fervent objections to government programs due to misconceptions that nonwhites are the primary beneficiaries—despite the fact that Whites constitute nearly 70% of welfare recipients. “It’s not that they hate public housing, they hate who is in them,” stated the keynote speaker.

The idea of a “post-racial” society simply is not viable for countless reasons, many of which include lingering racial prejudices and inequalities. As powell asserted, “We need a new language where we talk about race.”

04/07/2014 0 comments
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Archive

Producer of “Dear White People” Visits the Bunche Center

by 02/28/2014
written by

This last Thursday, I was given the opportunity to attend an info session with up-and-coming director Justin Simien and the talented producer/writer Lena Waithe at the Ralph J. Bunche Library. I was fairly excited to meet the masterminds behind the highly anticipated film, “Dear White People,” to hear them speak about their motivations for creating the project, and what sort of messages they are trying to promote through their respective works.

Before they spoke, the audience was shown the initial concept trailer for “Dear White People.” This was the trailer that went viral last year, and allowed for Simien and company to raise $40,000 to fund the film through crowd-sourced donations. Next we were shown pilot clips from Lena Waithe’s original series, “Twenties”. The series follows the lives of three twenty-something-year-old African-American women attempting to traverse the real world after college. These clips were made possible through Queen Latifah’s production company, Flavor Unit, who offered to fund the pilots after being captivated by the script. Drawing influence from Lena Dunham’s HBO series “Girls,” Waithe hopes to tell “The honest Black hipster coming of age story,” which is story that has yet to be properly told on film or TV.

Both “Twenties” and “Dear White People” are important in that they attempt to give viewers an authentic and honest portrayal of contemporary African American youth, with diverse characters who do not all fit into the traditional mold of “blackness”.

DWP 2

Lena Waithe and Justin Simien

Waithe and Simien expressed the need for them to have some characters that portrayed their own experiences of being Black, in a predominately White middle class neighborhood, and how this influenced their upbringing. Both projects also address issues surrounding interracial relationships, homosexuality, and cultural appropriation in a way that manages to be witty, informing, and relatable for a millennial of all racial backgrounds.

But even so, Simian and Waithe still faced major difficulties getting their projects picked up by any major networks or studios, due to the belief that they would be unable of drawing in an audience. This is what motivated them to promote their projects themselves by releasing trailers and test pilots through the web, and the response has been overwhelmingly positive and supportive.

“Dear White People,” has premiered at Sundance Festival and managed to earn the Festival’s Special Jury Prize for Breakthrough Talent, and is slated for a major release later this year. While “Twenties,” creator Waithe has been in talks with a number of networks, particularly BET, about getting picked up.

02/28/2014 0 comments
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