NOMMO
  • Home
  • Campus
  • World
  • Opinion
  • Lifestyle
  • Sports
  • About
    • Why We Use “K” vs. “C”
    • Contact Us
  • Donate
Tag:

celebrity

Archive

Classism: The New Racism?

by 11/06/2013
written by
Kanye West (left) on the Jimmy Kimmel Show

Kanye West (left) on the Jimmy Kimmel Show

Nothing displays the ills of society’s views towards race in media more than an outburst from Kanye West. Whether it is a comment about who should rightfully win an award or explaining George Bush’s lack of concern for Black people, Kanye may be seen as irrational, but he does highlight important oversights in the Black community.

On October 10, 2013, during an interview with Jimmy Kimmel on his show “Jimmy Kimmel Live,” West explained his frustration in his attempts to create a couture fashion brand due to his career as a rapper and the discrimination against his profession. In his long-winded tangent, West remarks on a new type of discrimination; “It’s not about racism anymore; it’s classism, that’s what I talked about. Paula Deen, she was old-school with it. They’re like, ‘We don’t do it like that anymore, Paula Deen. We’re classist now.'”

Is “classism” the pseudonym for a new type of racism that ranks according to socio-economic class?

According to the U.S. Social Security Administration, “White households in the United States are far wealthier than Black or Hispanic households, a disparity that remains unexplained even after taking into account income and demographic factors.” So the level of discrimination that is resonating not only in media, but also in everyday society is now hidden within the barriers of socio-economic status, in which minorities are at the bottom. Even in situations where prominent artists such as Kanye West are concerned, because he is a rapper, he is disregarded as someone who is in the upper level of the population’s economy.

 Although Mr. West is a rapper, a common idea in the Black community is that if you are not a rapper or a basketball player, it is beyond difficult for an Afrikan-American male to be successful, and almost impossible to join the top one percent. With this understanding of the lack of minorities in the higher bridge of the economy, classism can easily be a new way to isolate one ethnic group from another.

 West remarked on the barriers he feels that he is unable to break due to these ideals.

“And you’re just like, ‘How can you get a shot?’ And then you try to do it on your own, and like, real designers will not work for a rapper, and you just cannot overcome it.”

Overcoming has always been a struggle for people who know what “starting from the bottom” really entails. However, this new idea of classism in society is starting to shadow another form of racism. Whether in-between the intricacies of celebrities of everyday people, this affects the lack of progress that individuals such as Kanye West are trying to make in different realms. Regardless of the reputation Mr. West has in hip-hop or fashion, classism seems to be the new trend he’s bringing to attention.

Author: Semaj Earl

Nommo Staff

11/06/2013 39 comments
0 FacebookTwitterPinterestEmail
Archive

My N***A, My N***A!

by 10/31/2013
written by
yg

Rapper YG

Five months ago when I first heard the song, “My N***a”, by local rapper YG, the first thing I noticed was the beat. Immediately, I found myself grooving to it. Initially, the lyrics weren’t too bad. I was used to YG’s subject matter so nothing came off particularly shocking.

Then came the hook.

The word “n***a” is repeated a total of eleven times. Not only is the use of the word excessive, it is also the only lyric throughout the second part of the hook. Literally, the last four bars of the chorus are dedicated solely to that word. As my shock faded away, I admit I continued to bob my head. By the time the hook repeated, I was singing along.

I couldn’t deny its beat, and regardless of the lyrical content, the song was catchy. When the song was over, I hit the replay button. By my second listen, it had made a home in my head. Throughout the next few days, the song was a constant hum in my mind.

Last week as I scrolled through the top songs on iTunes, I was met with YG’s blatant yet catchy tune sitting at number twenty-five.

I was in shock.

Questions immediately formed in my mind: How can this song have made it to not only mainstream status, but to number twenty-five as well? How can this song, with such explicit lyrics that even the title had to be bleeped out, climb the mainstream ladder? How are people of different races responding to the lyrics of the song?

Earlier this week, I decided to interview students of different racial backgrounds to get their opinion on the song by asking four simple questions:

1. How do you feel about the song?

2. Do you like the song?

3. How would you feel if you had to sing this song in public?

4. How would you feel if you had to sing this song in front of a group of people that identified with a racial or ethnic group outside of the group you identify with?

At the end of the survey, I was faced with a very different question to ask than what I had initially set out to.

First, as expected most people said they would either feel embarrassed or awkward singing it in public and in front of people of a different racial background, while some said that they just wouldn’t sing it all.

One student of Middle Eastern decent, Sarah Rahimi [a fourth year IDS major] said, “I wouldn’t sing it. It’s not my word to use.”

Another student, Aaryn O’Quinn, an Afrikan-American fourth year student said, “I wouldn’t sing this in public. It would be like making a mockery of my people.”

Nonetheless, there were a few that said they would feel comfortable singing it in public, depending on the space. Third year Afrikan-American Aerospace Engineer major, Trevon Rodney claims, “It’s all about the location. I would feel just fine singing it on the Afrikan Diaspora floor [a residential community specifically aimed at Afrikan-American students], but I wouldn’t feel comfortable singing it in Ackerman Student Union.”

As I said, all of this was expected. What wasn’t expected however, was how hard it was to talk about the lyrical content when it came to that word. While talking about the song, one thing that struck me was how awkward almost all non-black participants were when answering the questions. And it wasn’t just non-black students. In the beginning, even black students did their best to skate around the word before finally just saying it. While I definitely didn’t expect the participants to just go out and say it, I didn’t think it would be that hard to talk about. Almost all knew the song so the presence of the word wasn’t unexpected. Furthermore, they had the opportunity to read the lyrics beforehand. None were fazed until it was time to actually talk about it.

As I started the discussion, all participants that weren’t of Afrikan-American decent tensed up and almost stammered through their responses. Nobody wants to say the word, which is understandable, but it was like the word left their voices immobile. “The N-word” was obviously the replacement of choice. However, “That word” and “You know…” were often used as well. The issue wasn’t their euphemism of choice, it was the way they used it. Regardless of the word that was chosen, somehow the word they had tried so hard to avoid still got the best of them. Prior to having to acknowledge the word, they were effortless in articulating themselves. However, “That word” left them immobile. One participant of Latino decent seemed to be so stumped that I actually gave him permission to say it. He was a little awkward at first but as soon as he said it, it was as if a weight had lifted off of him. The word was the biggest elephant to have ever occupied a room.

When I asked how they would feel if they had to sing the song in public, just the thought  entering their brains caused them to choke up.

For those who were embarrassed during the interview I understand that my Afrikan-American ethnicity could have been a part of the issue, but I was still taken aback.

For our one-on-ones, some students felt the need to overcompensate for their responses, and went into lengthy explanations of why it was okay for them to feel embarrassed about it.

One participant, a white female third year Political Science major says, “The song seems to be using the word in a non-historically racist way, almost as another word for friendship or brother… If I were to sing this song in public, I would hope for acceptance and to be able to convey that I wasn’t in any way trying to use it in a racist manner.”

While her response was standard enough, the amount of energy and effort put in was, in my opinion, way too much. You would have thought the participants were trying to solve the answer to world peace. In a way, maybe they were. We all know that racism is something that has plagued this country since its inception, and in my opinion something that has not been properly dealt with. Slavery and racism are always referenced as America’s dark past, and it seems like nobody is willing to shed the proper amount of light on it. We talk about it sure, but it’s always in a sugar coated politically correct way, full of euphemisms to make everyone talking about it feel comfortable, which is ridiculous because something as ugly as slavery shouldn’t make people feel comfortable.

Then it hit me. Although we as a country like to boast about living in a post-racial society, we have failed as a nation to educate each other on how to have a mature conversation about race. We haven’t learned how to be uncomfortable and learn from that awkwardness. Instead, we hide from the past and create euphemisms so we never have to really face it. We say “The N-word” because then we don’t have to truly think about the implications of it because it’s not that word, it’s the “N-Word”, and we get away with having yet another sugar coated conversation about race. Talking about this aspect of history should leave the people discussing it feeling anything, but comfortable.

I am going to say the word.

Nigga.

There.

Let the feeling of being uncomfortable sink in and deal with it. Now, with nigga aside, lets have a real conversation about race.

Are you for or against the use of nigga?

Author: Hailey Harris

Nommo Staff

10/31/2013 115 comments
0 FacebookTwitterPinterestEmail
Archive

Album Review: Pusha T – My Name is My Name

by 10/15/2013
written by

album cover

“My Name is my Name” is the long awaited debut album by Pusha-T (Terrace Thorton), the latest member on the G.O.O.D. music roster to receive Kanye West’s ardent blessing (made evident by the impassioned drunken rant at Pusha’s release party). But Kanye’s enthusiasm is understandable if you paid any attention to his work with his brother Malice with the hip-hop group The Clipse, who released two of the most memorable hip-hop albums of the last decade, most notably 2006’s Hell Hath No Fury. Pusha-T and Malice combined callous coke dealing imagery with intelligent-but-gritty lyrics over sonically progressive production (courtesy of the Neptunes) that caused many to draw comparisons to New York’s Mobb Deep in the 90s. And with Pusha-T undoubtedly being the star of the group, thanks to his attention stealing verses and signature smugness, the hype-machine has been at an all-time high for this release.

 The album starts out strong with one of the album’s main singles, “King Push”, at the helm. A certified banger that features stellar production by Kanye West, who handled most of the album’s production, has Pusha spitting some of the finest brag rap to be on an intro track and has him proclaiming to be rap royalty. The two following tracks “Numbers on the Board” and “Sweet Serenade” are also pre-released singles and are also great in their own right. The disjointed minimalistic beat and witty rhymes on “Numbers” makes it one of the best rap songs of 2013. “Sweet Serenade” features Chris Brown for an alluring hook and gloomy production for a solid radio track. “Hold On,” is the conscious motivational track, and features Kanye doing some of his best auto-tune work since “808’s and Heartbreaks” throughout a majority of the track. Rick Ross also delivers another one of his standout guest verses going bar for bar with Pusha on “Hold on”. “Suicide” features some Clipse-sounding production courtesy of Pharrell Williams that is probably included to appease older fans, and a verse from Ab-liva, a Re-Up Gang familiar. The next three tracks are sadly rather un-inspired filler tracks that don’t particularly stand out, especially “40 Acres,” that for some reason has a beat that is completely dimmed out for the verses. Thankfully things start to pick up around “Who I Am,” which is another stellar single featuring great verses from G.O.O.D. music signees 2-Chainz & Big Sean and another killer minimalist beat from Kanye. “Nosetalgia” is another standout track featuring vicious spitting from both Pusha and Kendrick Lamar, no chorus just raps. And then album finishes nicely with “Pain” and “S.N.I.T.C.H.”, which are both decent songs but may still leave more to desired as these songs would have probably been more suited towards the middle, while having the album end on stronger note.

This is a definitely an album that relies heavily on features, which may be troubling to those who were expecting a more epic debut from Push. But besides some consistency issues in the middle section, it is a solid outing with plenty of decent cuts. It may not be the next-level hip-hop some were expecting, or even compare to some of his older material with the Clipse, but it’s solid.

Rating: 8/10

Author: Rasheed Tulay

Nommo Staff 

 

 

10/15/2013 28 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Latest Posts

  • Modern Day Minstrelsy: Natalie Nunn, Zeus Network, Anti-Blackness, Caricatures
    by Mariah Yonique Strawder
  • Somewhere in Mississippi
    by Samantha Talbot
  • Sudan and the Reminders of Genocide
    by Hanae Noirbent
  • Black Pain is in Fashion: Catharsis in Relation to Black Horror
    by Samantha Talbot
  • Violent Recollections: Memorializing Black Life
    by Orisha Lamon

Back To Top
NOMMO
  • Home
  • Campus
  • World
  • Opinion
  • Lifestyle
  • Sports
  • About
    • Why We Use “K” vs. “C”
    • Contact Us
  • Donate