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Producer of “Dear White People” Visits the Bunche Center

by 02/28/2014
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This last Thursday, I was given the opportunity to attend an info session with up-and-coming director Justin Simien and the talented producer/writer Lena Waithe at the Ralph J. Bunche Library. I was fairly excited to meet the masterminds behind the highly anticipated film, “Dear White People,” to hear them speak about their motivations for creating the project, and what sort of messages they are trying to promote through their respective works.

Before they spoke, the audience was shown the initial concept trailer for “Dear White People.” This was the trailer that went viral last year, and allowed for Simien and company to raise $40,000 to fund the film through crowd-sourced donations. Next we were shown pilot clips from Lena Waithe’s original series, “Twenties”. The series follows the lives of three twenty-something-year-old African-American women attempting to traverse the real world after college. These clips were made possible through Queen Latifah’s production company, Flavor Unit, who offered to fund the pilots after being captivated by the script. Drawing influence from Lena Dunham’s HBO series “Girls,” Waithe hopes to tell “The honest Black hipster coming of age story,” which is story that has yet to be properly told on film or TV.

Both “Twenties” and “Dear White People” are important in that they attempt to give viewers an authentic and honest portrayal of contemporary African American youth, with diverse characters who do not all fit into the traditional mold of “blackness”.

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Lena Waithe and Justin Simien

Waithe and Simien expressed the need for them to have some characters that portrayed their own experiences of being Black, in a predominately White middle class neighborhood, and how this influenced their upbringing. Both projects also address issues surrounding interracial relationships, homosexuality, and cultural appropriation in a way that manages to be witty, informing, and relatable for a millennial of all racial backgrounds.

But even so, Simian and Waithe still faced major difficulties getting their projects picked up by any major networks or studios, due to the belief that they would be unable of drawing in an audience. This is what motivated them to promote their projects themselves by releasing trailers and test pilots through the web, and the response has been overwhelmingly positive and supportive.

“Dear White People,” has premiered at Sundance Festival and managed to earn the Festival’s Special Jury Prize for Breakthrough Talent, and is slated for a major release later this year. While “Twenties,” creator Waithe has been in talks with a number of networks, particularly BET, about getting picked up.

02/28/2014 0 comments
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“Dear White People” Filmed at UCLA

by 01/27/2014
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Source: http://www.dearwhitepeoplemovie.com

Official press release photo

Justin Simien’s directorial debut, “Dear White People,” is a satirical film that focuses on the college experiences of four African American students at a fictional, predominately White “Manchester University,” and that has been making quite a splash at the 2014 Sundance Film Festival.  Simien initially began promoting the film last summer through a brief three-minute concept trailer attached with a donation link, which after posting immediately went viral attaining 80k views and over $10k worth of donations within a few days.

The immense support and fervor caused by the trailer is understandable, as it presents the kind of contemporary racial drama and social commentary that has been largely absent since Spike Lee’s “Do The Right Thing.” Simien constantly cites Spike Lee’s films as his main influences, and staying within the same controversial vein of those movies, Simien aims to start a dialogue about the state of race affairs on college campuses.

The trailer immediately begins by showing a group of Black students in front of a movie ticket booth openly criticizing “Black movie” clichés and the commonly stereotypical characters, which are criticisms often made of predominately Black films.  It then cuts to the film’s radical main character, Samantha, on her inflammatory radio show where she sends public service announcements to the school’s White population with such remarks as, “Dear White people… stop dancing,” and “Dear White people… please stop touching my hair.”

A group of black students in front of a movie ticket booth.

Movie still: A group of black students in front of a movie ticket booth.

Other characters include Samantha’s ex-boyfriend Troy, the straight-laced son of the dean of the school who is dating the White daughter of the President of the University, Coco, the ambitious classmate who wants to appear as sophisticated and passive as possible in order to someday become a TV personality; and finally Lionel, who is both the openly gay student that is on a mission to find out where he can fit in.  The major conflict of the film arises when Troy’s fraternity, which happens to be predominately Caucasian, decides to throw a “Black people” themed party complete with Blackface and watermelon.

The film’s tagline explains that it is “A satire about being a Black face in a White place,” which is a relatable experience for most of the Black students here at UCLA, but also happens to be ironic, as a majority of the film’s trailer was shot on the UCLA campus.

How the characters all react to the racial tension and realistic situations presented are meant to reflect the many burdens that minority groups face on college campuses every day. Simien’s confrontational approach has drawn a fair amount of criticism from people within and outside the industry. The movie initially had issues getting any significant backing from major studios, which is why Simien ultimately decided to ask for support directly from the online community. And the substantial results show that a narrative like this has been long overdue.

“Dear White People” was released January 18th, 2014.

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01/27/2014 38 comments
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