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Awkwafina’s Blaccent

by Natalie Baltimore 02/10/2021
written by Natalie Baltimore

Awkwafina is a peculiar actress to say the least. Best known for her roles in Oceans 8, The Farewell, Crazy Rich Asians, and Jumanji, her rise to fame began with her rap career once her song “My Vag” went viral on Youtube in 2012. Nora Lum, (Awkwafina’s real name) was raised in Queens (New York City) by her Chinese-American father, and Korean-American mother. 

Awkwafina in Crazy Rich Asians

Awkwafina’s characters often serve as comedic relief and a side-kick for the main character. With the exception of The Farewell, her roles are usually of the quirky, funny plot device. What makes her unique is how eerily similar her voice is to that of a stereotypical Black woman. In Crazy Rich Asians, Awkwafina’s character Piek Lin exclaims “…but ya can’t swerve! You gon’ roll up in there and be like: bak bak bitch!”. Awkwafina’s Blaccent goes beyond her tone of voice though, this line includes the wagging of her finger, shaking of the head, her posture, and even fashion. It has been argued that she did this for that specific role, yet the same accent and presence is seen in her role as Costance in Oceans 8. When delivering a line that is meant to be funny, the accent seems to be more prominent than other situations her character(s) are put in. 

It is questionable if Awkwafina is flirting with appropriating Black culture. By rising to fame through rapping, she arguably has been using Black culture to her benefit without it being mentioned since her debut in 2012. On screen, she has taken roles usually played by Black actors. Asian and Black people are commonly set aside as supporting characters, but more often are Black (particularly women and the overweight) characters used for comedic effect. Throughout the history of film, Black characters have been put into roles that perpetuated stereotypes such as the mammy, jezebel, and the funny big girl. More recently has there been the diversification of Black characters and stories. The limitation of the roles a Black actor can play nowadays has been lifted. In Hollywood, the Asian community (with few exceptions) has not benefited from diversification Black characters are gradually being granted. 

Upon first seeing Awkwafina act, I felt confused and nearly offended. With time I questioned why her voice and presence bothered me so much. Awkwafina is not unique in this form of self presentation. In fact, what makes her stand out is that as a famous person (thereby in the public eye), she continues the all-too-common act of POC [person of colour] “blackfishing”. Blackfishing is a recent term used to describe non-Black people embodying traditionally stereotypical aspects of Black culture. An example would include Awkwafina’s voice, but also a change in skin tone, hair, or style with the purpose of appearing more ethnically ambiguous, mixed race, or Black.

In Awkwafina’s case, it was essential for me to acknowledge that I was unjustifiably taken aback by how she does not fit into the Asian stereotypes I was so used to seeing in movies. Stereotypically, Asian women are expected to be meek, smart, and quiet. All of which completely contradict Awkwafina’s presence. By being naturally “sassy”, loud, and funny, she is actively pushing the boundaries of how Asians are portrayed.

In a way, she is both a step forwards and backwards. Rejecting Asian stereotypes is admirable, but the cost of her way of doing so is at the detriment of the Black community. She is undoubtedly challenging Asian stereotypes perpetuated onto her, while simultaneously benefiting from the adoption of certain aspects of Black culture.

02/10/2021 0 comments
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Album Review: Isaiah Rashad – Cilvia Demo

by 02/12/2014
written by

Album coverTop Dawg Entertainment (TDE) has risen to become one of the most respected and influential record labels in the hip-hop genre thanks to an amazing line-up of artist—notably Kendrick Lamar & Schoolboy Q—and in-house producers who have been able to craft some of the most inventive hip-hop albums of recent memory. This year, the label has decided to start with some new blood, by releasing the debut album of their newest signee, Isaiah Rashad.

Isaiah Rashad’s Cilvia Demo, is a slow-riding, introspective work that serves as a perfect introduction to Isaiah as an artist and as an individual. The album contains 14 tracks filled with highly personal anecdotes of growing up fatherless in Tennessee, a history of ill-fated relationships & substance abuse, and the challenges of remaining honest in a deceitful industry. Rather than portraying himself as an infallible, high and mighty rap star, Isaiah openly confesses his flaws and insecurities on this record. The vulnerability that permeates throughout the project is what makes Isaiah’s words not only relatable, but also real, as though he is speaking to a close friend rather than a random listener. He is able to speak on a number of societal ills, like institutionalized racism, without sounding preachy or dull, which is an accomplishment within itself. For instance, on the standout track “Heavenly Father,” Rashad reflects on his drug problems, thoughts of suicide, and womanizing tendencies over a soulful, gospel-lite instrumental that manages to be quite catchy regardless of its dark subject matter.

Although rap veterans like Andre 3000 and Scarface have done this type of southern confessional rap for years, Rashad manages to stay true to his southern roots without sounding redundant, thanks to creative use of flow, melody, and wordplay that stand out on the minimal and abstract instrumentals provided by producers Antydote, Mr. Carmack, Farhot, and D. Sanders. The laid-back and experimental beats are definitely a nice change of pace from the trap heavy sound that has become popular in the last couple of years. And the sparsity of guest features, aside from a few of his TDE brethren and songstress SZA, allows for Rashad to remain the center of attention and proves him capable of handling a solo project single-handedly.

With this project, Isaiah Rashad has proven to naysayers and skeptics alike that he is worthy of the TDE name, instead of merely copying reused formulas, and is out to pave a road for himself.

 

02/12/2014 56 comments
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