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fashion

Black HistoryCulture

Black History Month: Black is Fashion

by Kristal Ombogo 02/03/2021
written by Kristal Ombogo

Following the rise of the BLM movement this last summer, there has been a significant increase of awareness from non-black allies to #BuyBlack and pressure for the fashion industry as a whole to elevate Black-owned businesses and creators. Historically, there has been a complicated relationship between Black culture and the fashion industry, with one too many cases of appropriation and the commercialization of Black culture without benefiting Black people. 

However, it is important to give context and credit to the Black community for today’s fashion trends. 

Streetwear has been an integral part of Black culture and has defined Black fashion trends since its origin in the 70s. Black designer Willi Smith is credited as the inventor of streetwear, as he introduced it in a high-fashion lens. From the 80s hip-hop era to today, Black artists have paved the way for their own styles within a ‘streetwear’ frame. While American fashion designer Dapper Dan created a wave of fashion in logomania, Michael Jordan’s ‘Air Jordans’ elevated sneaker culture among Black youth and today’s general public. 

From everyday life to runways, nail art and contemporary acrylics are popularized in every form today. Although they were not necessarily founded within Black culture, it is important to recognize the role Black women have played as the head of the wave. Black track and field athlete Florence Griffith Joyner (Flo Jo), who is considered the fastest woman of all time, introduced elaborate acrylics to the media when she competed with extravagant nails. 90s artists Missy Elliott and Lil Kim also laid the foundation for its mainstream rise. Today, rising rappers like Megan The Stallion and Saweetie continue to put their own twist on the style. 

Similarly, Black women also popularized hoop earrings. Rooted in Sudan and Egypt, hoop earrings are present in many cultures. From civil rights activist and entertainer Josephine Baker in the 20s to the Black Power movement and Black icons Nina Simone and Angela Davis in the 60s, hoops became a statement piece for Black women throughout history.  

Despite the popularity, these trends rooted in Black culture continue to be used against Black folks. Streetwear trends like baggy pants and tops have been criminalized against Black men. When worn by Black women, acrylics and hoops are still frequently deemed as “unprofessional”, “ghetto,” or “ratchet”. Phrases like “the bigger the hoop, the bigger the hoe” have been used to stigmatize the trend and discourage Black and Brown women from participating. These frames are rooted in classism and misogynoir, but Black folks continue to move past the boundaries. 

Today, Black creators continue to set the trends for fashion and carry on the idea that we are the blueprint.

Telfar Clemens has re-established Black designers’ role in high-end fashion for the people with his growing Telfar Shopping Bag collection that gained traction in summer 2020. Creators like Rihanna, through her Fenty fashion line, continue to place pressure on the fashion industry’s path to inclusivity and acceptance of different body shapes and sizes.

02/03/2021 0 comments
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Peggy Noland’s Shocking Oprah Dress

by 12/16/2013
written by

Peggy-Nolands-Outrageous-Oprah-Dress-

Source: Fashion Bomb Daily

Most recently, there has been quite a stir about the particular fashionable taste of fashion designer Peggy Noland. One of her graphic dresses displays a life-size image of what appears to be an unknown, and unclothed, Afrikan American female with a photo-shopped image of Oprah’s face in exchange.  There are multiple images of women and even one with an image of a KISS member photos-shopped as the head of the body.

Looks familiar doesn’t it? I’m sure UCLA students are quite familiar with similar occurrences happening against the Dr. Christian Head versus UC Regents, where Professor Head was mocked in a class presentation and his head cropped onto an image of a kneeling gorilla. Only this time, they done went and tried to play Oprah! Stirring questions about the dress itself have assessed many critical debates and disagreements.

In fact, in XOjane.com, Black writer Veronica Miller expressed her outrage with the dress and shared her disapproval. Miller writes:

“‘Progressive’ White women, you need to quit. This thing that you keep doing, exploring your own issues with repressed sexuality and body image through the use of Black women who didn’t give you permission to be self-image surrogates? [It] needs to stop, and it needs to come to an end now. Not now, but RIGHT now. We are not playgrounds where you get to explore your issues. You don’t get to use our bodies as the shield behind which you throw up your middle finger up at patriarchy. These stunts make you no better than patriarchs, no better than misogynists. You take our bodies apart and display them in pieces the same exact way you admonish advertising, fashion and music for doing. That is hypocritical behavior and hypocritical behavior is tired.”

Peggy Noland wearing her "design"/ Source: Fashion Bomb Daily

Peggy Noland wearing her “design”/ Source: Fashion Bomb Daily

Miller’s disapproval cannot be dismissed as illogical. In fact, it is quite common for members of the Afrikan American community to share experiences dealing with being ostracized or feeling singled out for their physical features. Fashionbombdaily.com stated, “Black women have dealt with the misappropriation and exploitation of their bodies by others since Saartjie Baartman first stepped onto European soil in the 19th century. It’s 2013—you’d hope people would know better by now. Sadly, they don’t.”

And just when you thought it couldn’t get worst.

Lena Adelsohn Liljeroth, Sweden’s Minister of Culture and Sports, was video-recorded laughing and smiling as she posed with other coworkers in front of the cake of an Afrikan woman. (See it for yourself: www.youtube.com/watch?v=etAYFadObVY)

Now this was not just any ordinary cake. In fact, Black artist Makode Aj Linde who designed the cake described the pastry dessert as a ‘genital mutilation cake.’ Linde designed the cake to make screaming, painful noises as it was being sliced into.  As people sliced into the “woman’s vagina”, the depiction behind it suggest she was being “mutilated.”

In the video, the people who are indulging in the cake are seen standing around laughing in enjoyment and making a mockery of the Black bodied cake.

Is there a thin line between what is appropriately considered creative and ill bred? How much more do Black women have to overcome in order to be viewed as whole beings and not as human spectacles? How far is too far and where can we as a community begin to send waves and break barriers in order to correct these problematic issues found in the Afrikan-American community?

 

Raise your voice in the comment box below!

 

Author: Ashley Joseph

Nommo Staff

 

12/16/2013 2,804 comments
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No Color on the Runway

by 10/23/2013
written by

Source: commons.wikimedia.org

Source: commons.wikimedia.org

The fashion industry is successful in creating and marketing unique trends that can appeal to consumers from all walks of life. Unfortunately, the fashion industry is also known for its lack of diversity in the representation of models of color, particularly that of Afrikan-Americans. The underrepresentation of Afrikan American models in the growing fashion industry is gaining widespread attention in mainstream media. Today, celebrities and renowned models of color are speaking out on the issue of discrimination found hidden beneath the fabrics of the misleading, fashion industry. Where are the black models on the catwalk?

There has been a decreasing influx of Afrikan American models in today’s fashion industry and less Black models are casted in runway shows by high-end designers. According to thenewstatesmen.com, this year at New York Fashion Week, 6 percent of catwalk models were Black, 9.1 percent were Asian, 2 percent were Latina, 0.3 per cent were categorized as ‘other’, and 82.7 percent were white. In fact, a racial diversity report based on the New York Fashion Week runways was conducted in order to further display the discrepancy. According to jezebel.com, about more than 80 percent of the shows’ looks were worn by white models and about thirteen designers had only white models wearing their designs.

Source: jezebel.com

Source: jezebel.com

Bethann Hardison, a pioneering Black model, former modeling-agency owner and activist for diversity in the modeling industry, has also brought attention to the inequality. In fact, she and supermodels Iman and Naomi Campbell have joined together to form what is known as the Diversity Coalition. The Diversity Coalition is an organization that presses for more diverse representation on the runway.  According to fashionista.com, Hardison addressed her concern in an open letter to the governing fashion bodies of the major fashion cities–New York, London, Milan, and Paris– and wrote, “no matter the intention, the result is racism.”

Other celebrities and models have also argued against the racial barriers found in the industry. Chanel Iman told The Sunday Times Magazine that sometimes when she goes for casting calls for runway shows, she does not get to stay. “A few times I got excused by designers who told me, ‘We already found one black girl. We don’t need you anymore.’ I felt very discouraged. When someone tells you, ‘We don’t want you because we already have one of your kinds,’ it’s really sad.”

British model Jourdan Dunn has also added her voice to a campaign led by Black models for more diversity in the fashion industry. In an interview with The Guardian, she states that she wants to speak up about the lack of diversity in casting: “People think that all models get treated the same, but there is still a lot of bull-shit that happens.”

Most recently, Kanye West opened up a large discussion regarding the instances of racism overlooked in the growing fashion industry. In an interview on Jimmy Kimmel Live, West addressed the issue of discrimination found prevalent against Black models. West said: “There is no black guy at the end of the runway in Paris in all honesty.” This analytical debate raised many eyebrows and concerns about the continuing marginalization of Black models and designers by the fashion industry.

It appears that the only way aspiring Black models and celebrities can be fairly represented in the fashion industry is if they choose to stand up and vocalize these issues circulating the inequities of the industry. This pressing issue should continue to be addressed in order for there to be more Black faces in fashion culture and especially in the media. Besides, what would fashion be without color anyway?

Author: Ashley Joseph

Nommo Staff

10/23/2013 136 comments
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