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“Dear White People” Filmed at UCLA

by 01/27/2014
written by

 

Source: http://www.dearwhitepeoplemovie.com

Official press release photo

Justin Simien’s directorial debut, “Dear White People,” is a satirical film that focuses on the college experiences of four African American students at a fictional, predominately White “Manchester University,” and that has been making quite a splash at the 2014 Sundance Film Festival.  Simien initially began promoting the film last summer through a brief three-minute concept trailer attached with a donation link, which after posting immediately went viral attaining 80k views and over $10k worth of donations within a few days.

The immense support and fervor caused by the trailer is understandable, as it presents the kind of contemporary racial drama and social commentary that has been largely absent since Spike Lee’s “Do The Right Thing.” Simien constantly cites Spike Lee’s films as his main influences, and staying within the same controversial vein of those movies, Simien aims to start a dialogue about the state of race affairs on college campuses.

The trailer immediately begins by showing a group of Black students in front of a movie ticket booth openly criticizing “Black movie” clichés and the commonly stereotypical characters, which are criticisms often made of predominately Black films.  It then cuts to the film’s radical main character, Samantha, on her inflammatory radio show where she sends public service announcements to the school’s White population with such remarks as, “Dear White people… stop dancing,” and “Dear White people… please stop touching my hair.”

A group of black students in front of a movie ticket booth.

Movie still: A group of black students in front of a movie ticket booth.

Other characters include Samantha’s ex-boyfriend Troy, the straight-laced son of the dean of the school who is dating the White daughter of the President of the University, Coco, the ambitious classmate who wants to appear as sophisticated and passive as possible in order to someday become a TV personality; and finally Lionel, who is both the openly gay student that is on a mission to find out where he can fit in.  The major conflict of the film arises when Troy’s fraternity, which happens to be predominately Caucasian, decides to throw a “Black people” themed party complete with Blackface and watermelon.

The film’s tagline explains that it is “A satire about being a Black face in a White place,” which is a relatable experience for most of the Black students here at UCLA, but also happens to be ironic, as a majority of the film’s trailer was shot on the UCLA campus.

How the characters all react to the racial tension and realistic situations presented are meant to reflect the many burdens that minority groups face on college campuses every day. Simien’s confrontational approach has drawn a fair amount of criticism from people within and outside the industry. The movie initially had issues getting any significant backing from major studios, which is why Simien ultimately decided to ask for support directly from the online community. And the substantial results show that a narrative like this has been long overdue.

“Dear White People” was released January 18th, 2014.

DWP3

01/27/2014 38 comments
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Editor-in-Chief Dasha Zhukova Sits on Naked Black Woman

by 01/27/2014
written by

dasha-zhukova-black-woman-chair-miroslava-duma-buro-247-interview

On January 20th, 2014, Martin Luther King Day, an online magazine entitled Garage, published a photo of its Editor-in-chief, Dasha Zhukova, sitting on a chair made to resemble a half-naked Black woman. Miroslava Duma, the blog’s editor, posted the insensitive photo on Instagram, and further marketed the image as something of trending, fashionable, and contemporary art.  In the image, the Moscow-born 32-year-old, wearing a pressed white button-up and crisp blue jeans, rests on a chair designed to portray a life-form Black mannequin that is naked, excusing a pair of leather black panties, a belt strapped around her lower body, elbow length gloves and skin-tight, and knee-high boots.

Dasha Zhukova responds to the criticism: “The chair pictured in the Buro 24/7 website interview is an artwork created by Norwegian artist Bjarne Melgaard, one of a series that reinterprets historical artworks from artist Allen Jones as a commentary on gender and racial politics. Its use in this photo shoot is regrettable as it took the artwork totally out of its intended context. I regret allowing an artwork with such charged meaning to be used in this context. I utterly abhor racism and would like to apologize to those offended by my participation in this shoot.”

Despite, her claim, the backlash of noted fashion journalists and the common public have displayed their disapproval of Zhukova’s work of art as a form of degradation.  Claire Sulmers, the editor of Fashion Bomb Daily, spoke of the unfortunate feature and calls the image an example of “White dominance and superiority, articulated in a seemingly serene yet overtly degrading way.”

“These issues and concerns highlight the conflicts found within the continued suppression of the Black female body in the fashion industry and its urge to be addressed. The art and fashion industries are the few bastions of society where blatant racism and ignorance are given the green light in the name of creativity,” Sulmers complained.

Claire Sulmers could be making a significant point. Although the chair is supposed to be portraying vision and creativity, it is offensive, tasteless, and one cannot help but to be investigative about the motives behind the editorial, and the reasoning behind its overall inspiration.

In response to the negative and insensitive imagery, how do we as a Black community continue to effectively address these issues that plague the fashion industry? Also, how do we highlight the issues circulating the recurrent theme of the Black body being dissected, misappropriated, and exploited in the media? What do you think of Garage Magazine’s fashion editorial? Can it be perceived as a work of art or as flat-out, blatant racism? Tell us what you think in the comment section below.

01/27/2014 70 comments
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Archive

Soul TV, Black Power & Afrikan American Media Culture Of The 1970s

by 11/07/2013
written by

Soul TV announcement updated

When: Wednesday, November 13, 5:00pm-7:00pm

Where: 1422 Melnitz Hall

A panel discussion and screening featuring:

Melissa Haizlip, filmmaker and producer of “Mr. Soul!: Ellis Haizlip and the Birth of Black Power TV” ; Devorah Heitner, scholar and author of “Black Power TV” (Duke 2013); Ericka Blount Danois, journalist and author of “Love, Peace, and Soul” (Backbeat, 2013).

AND featuring rare archival footage of KCET’s “Doin’ it at the Storefront” presented by Mark Quigley

Sponsored by UCLA’s Department of Film, Television & Digital Media, The Center for the Study of Women, The Ralph J. Bunche Center for African American Studies at UCLA, and ELEVATE!  For more info, see: http://uclacsw.blogspot.com/

 

FREE & Open to the Public

Allyson Nadia Field

Assistant Professor, Cinema & Media Studies/

Nommo Contributor

11/07/2013 3,806 comments
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